Studio 1234 Presents:

Still Life works by a variety of Artists

The Old Trumpet
20" x 10"Oil on gallery canvas
by Lucinda Knowlton

July 19 – Aug 2 Reception: Saturday, July 19 at 3 pm – 5 pm
Studio 1234 Presents: Still Life works by a variety of Artists

Of all genres in art, still life offers perhaps the widest choice of subject, style and scale. Through the work of great artist Chardin, followed closely by Rembrandt and Margritte Dali, instituting still life as a “significant” form of artwork, other artists have followed to further establish it's path into the heart of the art world. Still life can be created through bold sweeps of line, carefully detailed studies of texture or form as in classical subjects continuing to inspire artists and enchant viewers alike. It involves all the elements of art like form, value, light and composition. Whether the medium is oil, watercolor, pastel or if the technique is realism, abstract or impressionistic, still life continues to enchant both artists and viewers .To continue this tradition, Studio 1234 presents an exhibit of still life works by various artists for the public to enjoy. We hope you can attend and enjoy our event.

Studio 1234 is located at 1234 College St., Toronto, ON
Studio 1234 Hours: Tues. - Sat. 2 - 6pm. Random or please contact Lucinda Knowlton 647-234-3907 or email lknowlton@sympatico.ca to schedule a private viewing for your convenience.

Du 19 Juillet au 2 Août.
Réception: Samedi 19 Juillet de 15h à 17h.

Pour tous les genres d’art, Still Life offre peut être le plus large choix de sujet, de style et de gamme.

Par le travail du grand artiste Chardin, qui suivit de près par Rembrandt et Magritte Dali, institut une nature morte comme une forme « significative » du travail de l’art.
D’autres artistes ont davantage établi ce chemin dans le cœur du travail de l’art.

La nature morte peut être créée par les coups audacieux de ligne, des détails prudemment étudiés.
Egalement de textures ou de formes dans des sujets classiques continuant d’inspirer les artistes et enchanter les spectateurs de même.

Cet ouvrage implique tous les éléments de l’art comme la forme, la valeur, la lumière et la composition.

Si la moitié est d’huile, aquarelle ou encore de pastel ou si la technique du réalisme est abstraite ou impressionniste, la nature morte continue d’enchanter à la fois artistes et spectateurs.

Pour continuer cette tradition, Studio 1234 présente une exposition d’œuvres inspirées de la nature pour que le public apprécie.

Nous espérons que vous pourrez attendre et approuver notre événement.

Artists:

Caren-Ann Jackson
Caren-Ann Jackson aka “Caren Jax” was born in Toronto, Canada. She grew up with a passion for the arts and at the age four she was entered into the Royal Conservatory program for piano and theory, as well as singing lessons. During this time she also discovered her passion for visual art, whether sketching, painting or sculpture. She began painting landscape, still life and portraiture. Her favourite mediums are charcoal, pastels or acrylic paint.

John Molnar
John Molnar was born in Welland, Ontario and had an early interest in art. After graduating from the
Ontario College of Art in Toronto, he pursued a career as a commercial illustrator before turning
to fine art in the late 80's. Since that time, John has exhibited in Canada and the United States
and his works hang in many private and corporate collections.

John's website: http://www.johnmolnarpaintings.com/

Wonju Shin
Wonju was born in Korea. She has been interested in Art since she was young. After graduating high school in Korea, she came to Canada. She is attending at Ontario College of Art and Design school, Painting and drawing (4th year).
www.wonjushin.blogspot.com

Lucinda Knowlton
Lucinda Knowlton was born in Alliston, Ontario and grew up in Midland, Ontario. She now resides in Toronto and is the owner of Studio 1234. She primarily works in oils and charcoal preferring realism painting still life, landscapes, and portraits as subject matter.
http://www.artbylucindaknowlton.com

French Translation courtesy: M. Changa